Francisco de Zurbarán, Hercules and Cerberus, 1634, oil on canvas, 132 cm x 151 cm. © Photographic Archive Museo Nacional del Prado

"You look like you
were carved from
Marble"

"You win best
body in here, for sure"
—The Boys

"I wish I had
put on more muscle
during this bring
phase"
— Me

Note to Self: Ask Yourself
this: What are you
doing it for?

"You look like you
were carved from
Marble"

"You win best
body in here, for sure"
—The Boys

"I wish I had
put on more muscle
during this bring
phase"
— Me

Note to Self: Ask Yourself
this: What are you
doing it for?

"The dancefloor is a temple
of sweat and surrender"
– MADONNA

"The dancefloor is a temple
of sweat and surrender"
– MADONNA

Björk operates on instinct, Madonna on intellect.
In a 2001 Nylon Magazine interview with James Servin, Björk said she wrote “Bedtime Story” for Madonna hoping it would encourage her to be more intuitive and less logical.
That Nylon story included an incredible anecdote. Servin wrote:
“I sent a fax to Madonna via her publicist Liz Rosenberg, with the question: ‘Did singing the lyrics Björk wrote for Bedtime Story lead you in the direction of going more with the flow?’”
In response, Rosenberg wrote:
“I’ve never thought Madonna was a ‘go with the flow’ person before or after recording Bedtime Story. She goes with a flow — but it’s a flow of her own creation, if you know what I mean.”
What a perfect description of Madonna’s career: “A flow of her own creation.” But with “Confessions II” and its PR rollout, we’ve caught a few glimpses of instances where Madonna couldn’t create her own flow. Her inability to fully control her world is humanizing.

Björk operates on instinct, Madonna on intellect.
In a 2001 Nylon Magazine interview with James Servin, Björk said she wrote “Bedtime Story” for Madonna hoping it would encourage her to be more intuitive and less logical.
That Nylon story included an incredible anecdote. Servin wrote:
“I sent a fax to Madonna via her publicist Liz Rosenberg, with the question: ‘Did singing the lyrics Björk wrote for Bedtime Story lead you in the direction of going more with the flow?’”
In response, Rosenberg wrote:
“I’ve never thought Madonna was a ‘go with the flow’ person before or after recording Bedtime Story. She goes with a flow — but it’s a flow of her own creation, if you know what I mean.”
What a perfect description of Madonna’s career: “A flow of her own creation.” But with “Confessions II” and its PR rollout, we’ve caught a few glimpses of instances where Madonna couldn’t create her own flow. Her inability to fully control her world is humanizing.

Though it seems nobody has contracted the potentially deadly bacterium as a result of Meta’s fill-and-flush, the city’s response to the incident underscores the degree to which people across the US are scrutinizing data centers — and the undeniable impact they have on their neighbors.

Our friend and colleague Lucian Perkins opined on social media: “Unlike much of the country, the Fourth of July in Washington didn’t feel festive so much as surreal.

“The day began with absence. The annual Independence Day parade down Constitution Avenue — something I had planned to photograph — was canceled because of extreme heat. Washington had just endured some of its hottest days on record, with the heat index nearing 108 degrees.

Ironically, “poor people were
eating the stuff that now people
are paying a lot of money to have,”
Miller said, referencing
the current movement
against heavily processed foods.
They would also be eating more
pork, ham, bacon and sausage,
liver pudding and offal.

Tesla Will Make More from AI Than Robotaxi
July 5, 2026 at 3:12 PM by Brian Wang
NextBigFuture.com
AI data centers and compute represent a much bigger and faster-growing opportunity for Tesla than robotaxis. AI can generate $50–100 billion in annual revenue per gigawatt of power — dramatically outpacing typical robotaxi economics.

"We hold these truths
to be Self Evident."

was almost

"We hold these truths
as SACRED."

Quite a difference it
makes -- power not from the
divine, but from the people