They Work in Both Ways
I spent Christmas Break rediscovering unconditional love; the soundtrack was a very broad selection of Alanis Morrisette, Jason Mraz, Sex and Ego, Eminem, and others. I really got to listen to Jason Mraz while Krista and I were together, and again with the arrival of Mara.
Hehehe, it was actually the background for our hunt to find a parking spot on Indepence... before we put on "Bully." A far better track to be aggressive to. "faggot ja, hahaha"
Anywho, Krista has a version of "Waiting for My Rocket to Come," Jason Mraz's debut album, that contains a very different "You and I Both." I've yet to buy the album myself, I think I'm going to have to do that today, so I don't know for sure that the album even contains her version, but either way, the radio play is different on that track.
So, that long as blurb aside, the song is distinctly sadder and carries a resonating note of meloncholy through out that I just don't feel on the radio edit. Jason's inflections and modulations can make the song a tough listen... it's beautiful, and I'm filled with different emotions everytime. Its not always good to get choked up while driving.
The last time I was with Jarret the song came on the radio. Again, it was the peppier, happier, more-remedy-er version I felt compelled to share with him the fact that I like the album version better, and to explain to him why. It's in his buddy profile now:
"And with this silence brings a moral story
More importantly evolving is the glory of a boy
Cause you and I both loved
What you and I spoke of
And others just read of and if you could see me now
Well that I’m almost finally out of
I’m finally out of
Finally-dee-deedle le dee dee
Well I’m almost finally, finally
Well I am free, Oh, I'm free
And it's okay if you had to go away
Oh, just remember the telephone well their workin it both ways
But if I never ever hear them ring
If nothing else I'll think the bells inside
Have finally found you someone else and that's okay
Cause I'll remember everything you sang"
Is he aware completely of how I feel now? I don't know for sure, which makes me feel like I have to have a heart-2-heart. Perhaps now I know what it feels like to be on the other side. It reminds me of "Jolene," it can be either pathetic and sad, or empowering, depending on who's vantage you take, Jolene's or the Singer's.
Harumph.
Something funny: "...Rivals Neil Finn in his ability to invoke the spirit of Paul McCartney." -- Amazon.com's Review
Don't you have to be dead to have your spirit invoked? If not, wouldn't it hurt to have your spirit go on vacation? Is that what Day 7 feels like?
Hehehe, it was actually the background for our hunt to find a parking spot on Indepence... before we put on "Bully." A far better track to be aggressive to. "faggot ja, hahaha"
Anywho, Krista has a version of "Waiting for My Rocket to Come," Jason Mraz's debut album, that contains a very different "You and I Both." I've yet to buy the album myself, I think I'm going to have to do that today, so I don't know for sure that the album even contains her version, but either way, the radio play is different on that track.
So, that long as blurb aside, the song is distinctly sadder and carries a resonating note of meloncholy through out that I just don't feel on the radio edit. Jason's inflections and modulations can make the song a tough listen... it's beautiful, and I'm filled with different emotions everytime. Its not always good to get choked up while driving.
The last time I was with Jarret the song came on the radio. Again, it was the peppier, happier, more-remedy-er version I felt compelled to share with him the fact that I like the album version better, and to explain to him why. It's in his buddy profile now:
"And with this silence brings a moral story
More importantly evolving is the glory of a boy
Cause you and I both loved
What you and I spoke of
And others just read of and if you could see me now
Well that I’m almost finally out of
I’m finally out of
Finally-dee-deedle le dee dee
Well I’m almost finally, finally
Well I am free, Oh, I'm free
And it's okay if you had to go away
Oh, just remember the telephone well their workin it both ways
But if I never ever hear them ring
If nothing else I'll think the bells inside
Have finally found you someone else and that's okay
Cause I'll remember everything you sang"
Is he aware completely of how I feel now? I don't know for sure, which makes me feel like I have to have a heart-2-heart. Perhaps now I know what it feels like to be on the other side. It reminds me of "Jolene," it can be either pathetic and sad, or empowering, depending on who's vantage you take, Jolene's or the Singer's.
Harumph.
Something funny: "...Rivals Neil Finn in his ability to invoke the spirit of Paul McCartney." -- Amazon.com's Review
Don't you have to be dead to have your spirit invoked? If not, wouldn't it hurt to have your spirit go on vacation? Is that what Day 7 feels like?