Fresh off the plane, I strapped in for a bit of yoga. These days, the yog…
Fresh off the plane, I strapped in for a bit of yoga.
These days, the yoga industrial complex is ripe with controversy and scandal— ranging from inappropriate student teacher interactions, to prop usage, to glorified Ponzi schemes. Of course, there’s a great deal of “this is Yoga” and “that’s not yoga” running around, too.
None of this, i am reminded, is yoga.
Yoga doesn't fear controversy nor does it fear innovation, because yoga is a state of being, not a static commodity to be bought or sold.
The esoterica of Tirumalai Krishnamacharya’s learnedness is sexy— especially for the appropriative sort— after all, he learned yoga from his guru in a cave, purportedly mastering thousands of asana under his teachers watchful eye. The intensity of the idea of that experience sometimes takes away from the fact that he also held degrees in all six vedic darshans (think: Indian philosophies).
He wrote books and taught teachers— including the teachers of my teachers— BKS Iyengar, Pattabhi Jois, and AG Mohan. I dare say he was an innovator. He also was firmly rooted in capital Y Yoga.
This is the lineage from which i come.
Not 5 hours into my stay in Goa, I made a point of finding my Iyengar teacher, Ian. Not unlike Rolf, he keeps no great internet presence— but I knew where to look.
Rolf and Ian shared a teaching space behind a cafe called Artjuna the first time I came to Goa. Ian still teaches here, but not today.
No, today one of his colleagues is holding a weekend workshop. The esteemed HS Arun, not unlike his teacher Iyengar, is an innovator in the use of props— particularly the chair.
I could not feel more lucky. It is not the journey to India that makes the yoga here so rich— it is the relationships. Ian and Rolf are dear friends, and Arun and Ian are too. I snuck into the back, grateful to be at the feet of my teachers- and glad to be inspired in the multitude of ways in which we can use this human experience to help people find the essence of Yoga.
These days, the yoga industrial complex is ripe with controversy and scandal— ranging from inappropriate student teacher interactions, to prop usage, to glorified Ponzi schemes. Of course, there’s a great deal of “this is Yoga” and “that’s not yoga” running around, too.
None of this, i am reminded, is yoga.
Yoga doesn't fear controversy nor does it fear innovation, because yoga is a state of being, not a static commodity to be bought or sold.
The esoterica of Tirumalai Krishnamacharya’s learnedness is sexy— especially for the appropriative sort— after all, he learned yoga from his guru in a cave, purportedly mastering thousands of asana under his teachers watchful eye. The intensity of the idea of that experience sometimes takes away from the fact that he also held degrees in all six vedic darshans (think: Indian philosophies).
He wrote books and taught teachers— including the teachers of my teachers— BKS Iyengar, Pattabhi Jois, and AG Mohan. I dare say he was an innovator. He also was firmly rooted in capital Y Yoga.
This is the lineage from which i come.
Not 5 hours into my stay in Goa, I made a point of finding my Iyengar teacher, Ian. Not unlike Rolf, he keeps no great internet presence— but I knew where to look.
Rolf and Ian shared a teaching space behind a cafe called Artjuna the first time I came to Goa. Ian still teaches here, but not today.
No, today one of his colleagues is holding a weekend workshop. The esteemed HS Arun, not unlike his teacher Iyengar, is an innovator in the use of props— particularly the chair.
I could not feel more lucky. It is not the journey to India that makes the yoga here so rich— it is the relationships. Ian and Rolf are dear friends, and Arun and Ian are too. I snuck into the back, grateful to be at the feet of my teachers- and glad to be inspired in the multitude of ways in which we can use this human experience to help people find the essence of Yoga.
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