A Scene from “The Golden Gate” by Vikram Seth
We enter in the midst of house warming party held for John and Liz (dating); more correctly, we enter in the midst of a conversation being held by John and Phil (college best friends, now 26) conversing on the matter of why Phil has left his amazing job. Phil responds, only half flippantly, "I left, because I plan to Save the World."
4.18
"And how do you propose to do it?"
"Well, Lungless labs; thats for a start.
We'll picket it, disrupt it, sue it--"
"Phil, Lungless LAbs won't give a fart.
They'll slam you straight into the slammer
Where you can practice Russian grammar
Until... (By ones and twos a knot
Grows round the disputatious spot)...
Sense penetrates your soft ingenious
Cerebrum." "John, you've missed the point,"
Says Phil: "The world is out of joint;
And such acts, though they may seem tenuous
To you, give heart to us; whats more,
Bring new peace fodder to our door."
4.19
Speech strained and clarified by passion
--His S's remain S's still--
In unantagonistic fashion,
Eschewing escalation, Phil
Resumes: "John, take a look around us.
Imagine that the first bombs found us
Just as we are-- as here we stand
A glass of liquor in our hand.
There by the door is Van Gough's painting
Of Sunflowers. Here are all our friends.
And suddenly, our small world ends,
And our vile dust is swept up, tainting
The hills, the vineyards, and the seas
With irredemdiable disease.
4.20
"So tell me, how much will it please us
That mankind with its crazy ways
--Bach, Rembrandt, Socrates, and Jesus--
Will burn to ash and swivelizing haze?
Will it console us to be knowing
In the swift instant of our going
That Red Square, like our children's creche,
Will soon be charred or ulcerous flesh?
And then, when the soft radiation
Descends on what's not been destroyed
--Trees, whales, birds, wolves-- the birthless void--
Think how the crown of earth's creation
Will murder what which gave him birth,
Ripping out the slow womb of earth.
4.21
Is it just 'we' who feel this terror?
Do you think 'they' can't understand
What will come down through aim or error
Upon their great and fragile land?
We must stop--...(Caught by sudden sadness
He fumbles)...-if we can- this madness,
We common people of goodwill..."
A young man stands and stares as Phil
Says, "...Fallout can't tell Omsk from Reno..."
He stands there wordless, half in love,
Drinking Phil's speech, the image of
El Greco's Felix Paravicino:
The same pale, slender, passionate face,
Stregth and intensity and grace.
4.22
It's Ed. Now Liz has introduced him
(At his request). Ed, rarely short
Of words, finds Philip's have reduced him
To numbness. On the tennis court
Or with his advertising rabble
Ed spouts forth a distracting babble
Of witty entertaining trash
Till his companions long to smash
Their rackets on his simmering cranium
Or seal his lips with editing tape;
But two sure passwords for escape
Have been discovered: One's Uranium,
The other, God. All talk of these
Causes Ed's babbling brooke to freeze.
4.23
Now host and hostess, drawn by duty,
Have vanished, but-- to stay with Ed--
At twenty-three, though quite astute, he
Seems easily dispirited;
Although his energy's appealing,
It serves the function of concealing
Rifts of anxiety so deep
Some nights he finds it hard to sleep.
(Liz thinks this trait comes from their mother.)
Both Sue and Liz adore Ed: he's
Warmhearted, fun, and quick to pleace;
But neither understand their brother
When his designs and words are skewed
By what they term his godly mood.
4.24
Phil looks at Ed: intese, athletic,
Silent-- the sort of man whom he's
Uneasy with. But Ed's ascetic
Tension betrays his own unease;
And by now Phiil's free-floating status
(Bouyed by spiritiuous afflatus)
Projects goodwill on all mankind--
And so, in half an hour, we find the pair engaged in conversation,
Which now that he's gained his cool
And half slipped back to playing the fool,
Revolved round Ed's prolonged narration
Of how he happened to procure
A green iguana from the store.
[Phil and Ed continue a fun, light conversation before being interrupted by Jan. Jan, a college friend of Phil's ex-wife is not pleased with an off-handed comment about woman meant only in jest. Phil options to leave, and Ed offers him a place to crash in town so he doesn't have to drive home drunk. They arrive at Ed's.]
4.31
Phil looks around at Ed's housekeeping.
Ed yawns, and strips off shirt and shoes.
Silence outside. The iguana's sleeping.
This quiet grid of avenues
With red-flowered gum for decoration
Lies deep in slumber and sedation.
"It suits me, Phil. The flat's quite small,
But there's a garden, after all--
And a small pool for the iguana..."
Phil's bleary eyes rest on a bowl
Of fruit, a crucifix, a roll
Of film, a photograph of Lana
Turner, who smiles across the floor
At Holbein's sketch of Thomas More.
4.32
"My patron saint." "Which one?" Ed, grinning,
Says, "Go to sleep!" and turns to pray.
He asks forgiveness for his sinning,
Gives thanks for the expended day,
Consignxs his spirit to God's Charity...
Now Philip, with exiguous clairty
And some bewilderment, sees Ed
Cross himself twice, then come to bed.
Lights out. Phil mumbles, "What a party!
I really blew it then with Jan.
Ed, thanks a lot. I mean it, man--
I haven't yet met a Dorati
I didn't like... (Across the bed
He reaches out and touches Ed)...
4.33
... Good Night." Ed fears to answer. Trembling,
He moves his hand across the space
--What terrifying miles--assembling
His courage, touches Philip's face
And feels him tense up and go rigid.
"I'm sorry," Ed says, in a frigid,
Half-choking voice, "I thought you might--
I didn't mean-- I mean-- good night."
Taut with cateleptic tension
They lie, unspeaking. Phil thinks, "Why
Be so uptight? He's a great guy.
I've never bothers with convention.
God! It's a year that I've been chaste...,"
And puts his arm around Ed's waist"
4.34
Now, just as things were getting tenser,
And Ed and Phil were making love,
The imperial official censor
--Officious and imperious-- drove
His undscriminating panzer
Straight through the middle of my stanza.
Now, GentleReader, is it right
This swine should put my Muse to flight,
Rooting about among my pearly
Wisdom till he finds orts that he
Can gobble down with grunting glee?
Forgive me, Reader, if I'm surly
At having to replace the bliss
I'd hoped I could portray, with this.
4.18
"And how do you propose to do it?"
"Well, Lungless labs; thats for a start.
We'll picket it, disrupt it, sue it--"
"Phil, Lungless LAbs won't give a fart.
They'll slam you straight into the slammer
Where you can practice Russian grammar
Until... (By ones and twos a knot
Grows round the disputatious spot)...
Sense penetrates your soft ingenious
Cerebrum." "John, you've missed the point,"
Says Phil: "The world is out of joint;
And such acts, though they may seem tenuous
To you, give heart to us; whats more,
Bring new peace fodder to our door."
4.19
Speech strained and clarified by passion
--His S's remain S's still--
In unantagonistic fashion,
Eschewing escalation, Phil
Resumes: "John, take a look around us.
Imagine that the first bombs found us
Just as we are-- as here we stand
A glass of liquor in our hand.
There by the door is Van Gough's painting
Of Sunflowers. Here are all our friends.
And suddenly, our small world ends,
And our vile dust is swept up, tainting
The hills, the vineyards, and the seas
With irredemdiable disease.
4.20
"So tell me, how much will it please us
That mankind with its crazy ways
--Bach, Rembrandt, Socrates, and Jesus--
Will burn to ash and swivelizing haze?
Will it console us to be knowing
In the swift instant of our going
That Red Square, like our children's creche,
Will soon be charred or ulcerous flesh?
And then, when the soft radiation
Descends on what's not been destroyed
--Trees, whales, birds, wolves-- the birthless void--
Think how the crown of earth's creation
Will murder what which gave him birth,
Ripping out the slow womb of earth.
4.21
Is it just 'we' who feel this terror?
Do you think 'they' can't understand
What will come down through aim or error
Upon their great and fragile land?
We must stop--...(Caught by sudden sadness
He fumbles)...-if we can- this madness,
We common people of goodwill..."
A young man stands and stares as Phil
Says, "...Fallout can't tell Omsk from Reno..."
He stands there wordless, half in love,
Drinking Phil's speech, the image of
El Greco's Felix Paravicino:
The same pale, slender, passionate face,
Stregth and intensity and grace.
4.22
It's Ed. Now Liz has introduced him
(At his request). Ed, rarely short
Of words, finds Philip's have reduced him
To numbness. On the tennis court
Or with his advertising rabble
Ed spouts forth a distracting babble
Of witty entertaining trash
Till his companions long to smash
Their rackets on his simmering cranium
Or seal his lips with editing tape;
But two sure passwords for escape
Have been discovered: One's Uranium,
The other, God. All talk of these
Causes Ed's babbling brooke to freeze.
4.23
Now host and hostess, drawn by duty,
Have vanished, but-- to stay with Ed--
At twenty-three, though quite astute, he
Seems easily dispirited;
Although his energy's appealing,
It serves the function of concealing
Rifts of anxiety so deep
Some nights he finds it hard to sleep.
(Liz thinks this trait comes from their mother.)
Both Sue and Liz adore Ed: he's
Warmhearted, fun, and quick to pleace;
But neither understand their brother
When his designs and words are skewed
By what they term his godly mood.
4.24
Phil looks at Ed: intese, athletic,
Silent-- the sort of man whom he's
Uneasy with. But Ed's ascetic
Tension betrays his own unease;
And by now Phiil's free-floating status
(Bouyed by spiritiuous afflatus)
Projects goodwill on all mankind--
And so, in half an hour, we find the pair engaged in conversation,
Which now that he's gained his cool
And half slipped back to playing the fool,
Revolved round Ed's prolonged narration
Of how he happened to procure
A green iguana from the store.
[Phil and Ed continue a fun, light conversation before being interrupted by Jan. Jan, a college friend of Phil's ex-wife is not pleased with an off-handed comment about woman meant only in jest. Phil options to leave, and Ed offers him a place to crash in town so he doesn't have to drive home drunk. They arrive at Ed's.]
4.31
Phil looks around at Ed's housekeeping.
Ed yawns, and strips off shirt and shoes.
Silence outside. The iguana's sleeping.
This quiet grid of avenues
With red-flowered gum for decoration
Lies deep in slumber and sedation.
"It suits me, Phil. The flat's quite small,
But there's a garden, after all--
And a small pool for the iguana..."
Phil's bleary eyes rest on a bowl
Of fruit, a crucifix, a roll
Of film, a photograph of Lana
Turner, who smiles across the floor
At Holbein's sketch of Thomas More.
4.32
"My patron saint." "Which one?" Ed, grinning,
Says, "Go to sleep!" and turns to pray.
He asks forgiveness for his sinning,
Gives thanks for the expended day,
Consignxs his spirit to God's Charity...
Now Philip, with exiguous clairty
And some bewilderment, sees Ed
Cross himself twice, then come to bed.
Lights out. Phil mumbles, "What a party!
I really blew it then with Jan.
Ed, thanks a lot. I mean it, man--
I haven't yet met a Dorati
I didn't like... (Across the bed
He reaches out and touches Ed)...
4.33
... Good Night." Ed fears to answer. Trembling,
He moves his hand across the space
--What terrifying miles--assembling
His courage, touches Philip's face
And feels him tense up and go rigid.
"I'm sorry," Ed says, in a frigid,
Half-choking voice, "I thought you might--
I didn't mean-- I mean-- good night."
Taut with cateleptic tension
They lie, unspeaking. Phil thinks, "Why
Be so uptight? He's a great guy.
I've never bothers with convention.
God! It's a year that I've been chaste...,"
And puts his arm around Ed's waist"
4.34
Now, just as things were getting tenser,
And Ed and Phil were making love,
The imperial official censor
--Officious and imperious-- drove
His undscriminating panzer
Straight through the middle of my stanza.
Now, GentleReader, is it right
This swine should put my Muse to flight,
Rooting about among my pearly
Wisdom till he finds orts that he
Can gobble down with grunting glee?
Forgive me, Reader, if I'm surly
At having to replace the bliss
I'd hoped I could portray, with this.