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A24 Fans in Meltdown After It Enters AI Partnership With Google

Why I saved this

A24, the indie-darling studio known for cultivating an artist-first brand, is taking a $75 million investment from Google as part of a DeepMind partnership to build AI tools for film production and distribution. Fans revolted online, and the optics worsened given that the director of A24's biggest hit, 'Backrooms,' recently called generative AI a symptom of cultural rot. A24 insists the tools will preserve creative control and won't resemble prompt-based generation, though its in-house lab is already building AI storyboard tools.

Teaching
  • Brand loyalty in a yoga shala works like A24's: students come for the lineage and culture, not the marquee teacher, which raises the stakes when tools or methods change
  • Frame for students the difference between a tool that augments attention versus one that replaces it, the same fork A24 is navigating
  • Use this in a class theme on intention: a storyboard is just a sequence, but the body learning the sequence is the practice
  • When introducing tech-assisted features at ashtanga.tech, name the line clearly so students don't feel the Belsky-style hedge
Writing seeds
  • Essay: 'The A24 Problem in Yoga' on how trusted brands lose the room the moment their values appear negotiable
  • Shala Daily post on why generative shortcuts in practice (apps that 'sequence for you') feel like prompted storyboards for the body
  • Piece for michaeljoelhall.com on Kane Parsons' line about AI as 'symptom of rot' applied to wellness tech and algorithmic self-optimization
  • Newsletter seed: 'Tools that preserve creative control' - what that phrase actually requires, in studios and in studios
Idea map
  • Connects to systems literacy: knowing which layer of a system a tool intervenes in determines whether it deskills you or extends you
  • Embodiment thread: storyboards vs storyboarded bodies, the difference between previsualizing and proprioception
  • Attention as the real asset: A24's fans are defending a culture of attention, the same thing daily practice protects
  • Practice as method: method is what survives delegation to tools; if it doesn't survive, it wasn't method, it was output
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A24 has spent years carefully crafting its image as a canny underdog studio that platforms artist driven films. It commands incredible loyalty among moviegoers, with its brand often preceding the names of the actual talent involved in its production. A new movie is an A24 movie, director or lead actor be damned.

But with incredible loyalty also comes incredible disappointment. On Monday, The Wall Street Journal reported that Google is investing $75 million into A24, as part of an AI research partnership to create AI tools for moviemaking.

Needless to say, fans of the studio weren’t impressed.

“There goes A24,” eulogized one viral tweet.

“Why do they keep forcing AI on us,” lamented another.

Though the size of the investment isn’t enormous by the standards of the tech industry, the partnership is symbolically significant, marking one of the few collaborations between a mainstream studio and an AI firm. Disney entered a landmark partnership with OpenAI last year, but that ended ignominiously when OpenAI suddenly shut down its Sora video generator tool in March. 

According to the WSJ‘s reporting, the collaboration with Google’s DeepMind AI lab will help create “new tools for movie production and distribution.” It doesn’t give Google access to A24’s data, including its film library.

Scott Belsky, an A24 partner, acknowledged that filmmakers’ ambivalence towards AI tech. That’s just because no one is doing AI the correct and artistic way, of course.

“We think there are better uses that preserve creative control and support risk-taking,” Belsky told the WSJ. The new tools “won’t look anything like the prompted generation type of AI that people feel uncomfortable with,” he added/

Except maybe they will be. Belsky’s 20 person team, A24 Labs, is already developing a tool for AI-generated storyboards. Revered director Martin Scorsese recently endorsed an AI startup that provided storyboarding tools, precipitating an existential crisis among cineastes.

Following news of the deal, A24 fans haven’t hesitated to point out that Kane Parsons, the 20-year-old who directed A24’s most successful film to date with “Backrooms,” had recently fulminated at AI being used in the arts. Many view his hit horror film —now A24’s largest opening ever — as an allegory for AI.

“If I could snap my fingers and make generative AI disappear forever, I probably would,” Parsons said in an interview. “Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”

“To me,” he added, “generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”

More on AI: Americans Have Turned Against AI in Incredible Numbers

Wednesday, June 24, 2026 · 6:19 pm
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